First Friday Studio Tour – Diana Mains Welte

This month we travel to Maysville, Kentucky to visit with Diana Mains Welte.

Do you call it a studio or sewing room? To yourself, to friends and family? Why do you think this is so? Difference in starting point between quilting and art? Thinking of this as a business rather than a hobby?

I call it my studio. I have always steadfastly had a studio in my home, since day one back in college. It’s been a corner, a table, a wall, a room, an outside workspace, a rented workspace, a huge room in my house, and again a wall. But I’ve always been an artist of some kind and I think artists need studios. It was important to me to have a dedicated space so art didn’t get lost in my busy days. That it was, in and of itself, valuable. By having a studio, my children respected it as my work and I was more productive.

My studio is on the third floor of a historic apartment building in Maysville, Kentucky overlooking the Ohio River. I can see Ohio from my house. 

What do you have in the room? machines, supplies, fabrics, paints, etc. Anything that might surprise the rest of us?

Definitely not as much as I did when I lived in our house – 13 rooms with the entire front room my studio. I was sewing clothing then and had clients coming in the home for fittings, etc. Then we moved to our apartment, and I stopped sewing clothing. And had to downsize. What a task! I gave away, sewed things to gift and sell, used it up. It took a while. Now I am down to one room, my wall studio, and creative storage. I own seven sewing machines – 2 Bernina 1080’s (what a workhorse), 2 Featherweights, another Singer, a Necchi and my grandmother’s Remington treadle. They come out from under the desk and table as needed. Fabric, paints, paperclay, beads, paper.

The wall – this is it.  The complete studio.  Shelves, worktable, fabric table and short bookshelf. And my white chair that I rescued almost 20 years ago from someone’s garbage.

How is your “stuff” organized? How do you organize your fabric? By color? Amount? Any separate categories (batiks, hand dyes)? How do you organize your thread (color, weight)?

Art supplies are in the cupboard above the worktable and on the top of the bookcase in front of the window. You can see the bookshelves (the one on the top is from the mail car of an old train.) That holds paper art supplies. The boxes on top – including the cigar boxes – hold wire and beads for jewelry making. And the fabric lives in the large white cabinet to the right of the workspace. Yarn is in a tub under the worktable.

My bookshelf holds favorite books and magazines and my collection of brushes, markers, pencils and other notions.

My other set of shelves.  Both came from second hand stores.The lower shelves hold my subscription magazines and saved book covers from battered books.The upper unit is from the mail car from an old train. It holds a multitude of supplies: blocks of Creative PaperClay, eraser material for stamp carving, my dremel tool, my crop-a-dile, paint sets, paper punches, etc. The boxes on top hold beads, wire, and grommets.

The antique cabinet that sits on a granite top kitchen table is where the fabric lives.

The fabric cabinet and my button boxes.

Do you have anything, supplies, more machines, etc. tucked away in any other rooms of the house. How many other rooms? (My husband likes to talk about that one.) Has a family member or significant other ever accused you of “taking over” the entire house? If you have a separate building, we want lots of pictures.

We have one small room that used to be organized but, after our son Noah came to stay during his judicial attorney job with our local court, well, let’s just say it’s on our to-do list, so we can find everything we know we own that is missing. LOL. For me, it houses plastic tubs of wool, yarn and old linen, as well as odds and ends. For Noah… who knows? When baseball season ends (Noah coaches), we shall tackle that job.

AAAACK! The dreaded storage room.  Soon to be rearranged. I do know what everything is though and that is a major accomplishment in itself.

I work on things as I watch tv but, afterward, the projects have to go into the studio. I keep a basket by my chair and clear off the rest as much as possible. My ottoman does overflow sometimes, but I sort that all out and move it back into the studio on a regular basis. Honestly, we live IN the studio. The wall is in my bedroom, the bookcases in the living room. Joe’s office is in the second bedroom as he works from home too. Noah’s room is the former dining room. But it is all incorporated into our home so it’s not too noticeable. Right now we’re a family of 4 living in a small space (3 humans and the cat who allows us to live here), so we aren’t too concerned about the décor… more about artful storage.

My comfy knitting chair, another thrift store find.  The items on the marble top dresser behind, like my grandmother’s dresser set, and the gifts from my children are priceless. The sewing machine is my grandmother’s old treadle.  The stained glass window was the transom window from my paternal grandparents’ home; it was over the front door.

Living room bookcases.  The basket was made by my daughter when she was young.

How much horizontal surface do you have, and is it ever enough? Do you have to move piles of stuff to cut anything bigger than a fat quarter?

Just the work table and a folding table that comes out if I ever need to sew large things. But I don’t use it much anymore as my art, artist books and jewelry are small work. So the work table is all I need. When I paint, I use a dropcloth on the floor and cover the table. And, no.. it’s not enough. :)

My worktable used to be drafting table height.  It was a gift from my dad and my sisters.The first family birthday gift the year after my mom passed in 1979.  I wouldn’t part with it for anything.  The topper is a mustard color topper to a Hoosier cabinet that I found at a second hand shop.  It fits the table top like it was custom made.  The drawers hold special markers like my expensive Copics, buttons, soldering supplies, vintage trims, and other odds and ends. Behind the wire covered doors are glue, resin, thread boxes, and cutting tools.The boxes on top hold polymer clay tools, sterling wire and findings and, in the blue box top right, my beloved Dr.Martin Inks and nib pens. Underneath is one Featherweight and one of my Berninas, and the tubs that hold the current quilts in progress and sock yarn.

Do you straighten/organize as you go, putting each fabric away as you cut, or do you clean up after a project? How many projects do you work on at a time and how do you keep them organized?

I do put things away as I go. I didn’t used to, but now have to be better about that. I am the queen of plastic bags… should buy stock in those companies. I have work in progress in the gallon size bags and they live in totes, stored with their instructions and supplies. That also helps when I travel as I can grab whichever bag I want and add any needed supplies.

Anything more you want to add about your studio, organization, working methods, etc., please do.

I was honestly a bit sad when I had to give up my previously large room, but now 2 years in, I get more accomplished with my smaller space. My family gifted me with polymer clay supplies at Christmas and I just bought a small kiln for ceramics. We plan to move to the greater Cincinnati area within the year – after Noah moves into a more permanent law job. I will definitely be looking for a place with room for my clay work.

My assistant, babykitty, at work. She’s the brains behind the business.

Thank you Diana for a delightful tour.  You have certainly provided lots of ideas for the creative use of space.

Visit Diana’s blog, Lilyweeds.

Next Month: Karen Musgrave

First Friday Studio Tour – Evie Harris

This month we are traveling to New Zealand to visit with Evie Harris. In addition to giving us a tour, Evie has shared her story of creating a lovely studio from what was once an aviary.

Evie’s studio project

We bought our property two years ago, and twenty years before that the building that would become my studio was the breeding aviary for canaries!

This is what I first saw prior to buying the property

Unused for at least 10 years, it was a disgusting mess, with cages lining the walls and unmentionable stuff lining the floor.

Not my first view..on that day there was an even bigger mess. By now the previous owners had removed some of their junk. Taken from the doorway
Taken from the other end of the room
Finally a blank canvas awaiting cladding… those doors to the outside aviary are about to be covered

The outside aviary is gone

It’s taken a lot of work to get it where it is today. A few things still need doing, like painting the recycled door and covering the hole in the wall where we had to put in a new power box (I also love how many power sockets we could put in, and the fact they are at an easy reach height). The floor was covered with linoleum and grime. Hours of work scraping inch by inch revealed a lovely wood floor with all the marks of time …I don’t want to cover it.

Do you call it a studio or sewing room?  To yourself, to friends and family?  Why do you think this is so?  Difference in starting point between quilting and art?  Thinking of this as a business rather than a hobby?

I have always called it a studio. In the transition from sewing on the kitchen table to a career as theatrical costumer, I went from table to room to Studio. I do enjoy saying “I’m going to my room now!” My family and friends call it a studio. Costuming was my business. I have never been a ‘Quilter’ and my art was in the Performing Arts area. Small fabric art is just as much of a joy.

Moving in…

I love that my studio is in my back garden.

What do you have in the room?  machines, supplies, fabrics, paints, etc.  Anything that might surprise the rest of us?

My most loved piece is my cutting table — built for my height and that purpose.

I have two overlockers, three sewing machines and all the usual suspects of fabrics, paints, embellishments etc., and an abundance of “could be useful.”

First project was to make a quilt for the cream studio chair

Running along the exterior wall of my studio is a storage area which houses tiers of containers of fabric, mainly the left overs from costuming.

This is where the bulk of my fabric is stored, out of the sunlight.

To fellow stitchers I am known as a treasure trove for free rummaging for that unusual bit. My little cupboard under the sink (I love having a sink) houses all the odd handyman type things and my favourite tool….a tagging gun.

How is your “stuff” organized?  How do you organize your fabric? By color?  Amount? Any separate categories (batiks, hand dyes)?  How do you organize your thread (color, weight)?

Baskets, boxes, tins, jars, bags, drawers, a cupboard and a large area under the cutting table hidden from view and camera! I know where everything is ….99% of the time.

 A drawback of my studio is how much sunlight it gets. Nearly everything needs to be put away and I consider carefully what I have on the walls. Things can quickly fade and rot. I don’t colour coordinate anything. Fabrics are stored together by type and amount –  large or small amounts. Everything is labeled.

Do you have anything, supplies, more machines, etc. tucked away in any other rooms of the house.  How many other rooms? (My husband likes to talk about that one.) Has a family member or significant other ever accused you of “taking over” the entire house? If you have a separate building, we want lots of pictures.

I have one basket in the lounge with current hand sewing.  My magazines and books are in various places, and I like that non-stitching friends have a flick through them which, I think, perfectly justifies having them being spread about!

How much horizontal surface do you have, and is it ever enough?  Do you have to move piles of stuff to cut anything bigger than a fat quarter?

I have enough space. My cutting table can manage several small projects at the same time and easily handles larger projects. I’ve cut thousands of meters of tulle on it for tutus. Though heavy, I can pull it away from the wall for easier access for cutting or when people come to play. When I made a queen size quilt pin basting on it was easy.

Do you straighten/organize as you go, putting each fabric away as you cut, or do you clean up after a project?  How many projects do you work on at a time and how do you keep them organized?

I make quite a mess when I am working and do not stop to put things away — happily,  things drop on the floor. Once a project is finished — or at least at a stage it can be put away (to be rested, not as a UFO) — then I will tidy up. I do use labels on some containers which makes for a speedy ‘tidy up.’ Everything does have a place. I generally stand back, look at the gaps and know where things should go.

Anything more you want to add about your studio, organization, working methods, etc., please do.

Stepping outside, three sides of the studio look like a tin shack. The fourth side is the storage area and a wooden deck where the attached rusting aviary once was. This is still a work in progress, but already it has been successful for a dyeing workshop. I love my studio!

This was once that rusted old aviary. The storage area is behind the yellow wall. This area is still a work in progress….the blank wall is yet to have it’s finishing touches and I need to find more unwanted chairs to be upcycled …..the two there haven’t really been fixed, I stabilized lots of loose wicker with masking tape just for the photos!

This shot shows the test pot canopy….any one of these colours could have been the interior colour of the studio! Thank goodness for test pots given how I thought some of those colours would work!


The white trolley/table is the former wooden surround for our worn-out barbecue. Cleaned up and painted white, I use it to load sewing projects and wheel them to the deck where I can sit and sew with everything on hand. Might have to move the wine though!!

Thank you Evie for a fascinating makeover story.  What an amazing transformation, and the result is a beautiful result of all your hard work.

Visit Hearts for Christchurch, Evie’s response to the 2011 New Zealand earthquakes.

Next month:  Diana Mains Welte

First Friday Studio Tour – Janet Hartje

This month we travel to Woodbury, Minnesota to visit with Janet Hartje.

Do you call it a studio or sewing room?  Why do you think this is so?  Difference in starting point between quilting and art? Thinking of this as a business rather than a hobby?

I used to call it my craft space because I tend to do more than sew.  The past few years I have begun to think of myself as a professional. Visualize what you want and it will happen, right? Subconsciously you will work toward your goals. Think it. Be it. Have it.

My studio was originally the formal dining and living room space. Shortly after we moved in the dining room became my space (almost 25 years ago!).  When I purchased a longarm quilting machine three years ago the living space was added to my studio.

In recent years I’ve joined several organizations and through them I have learned a great deal about Fiber Art. I didn’t realize Fiber Art involved such a wide range of activities and was such fun or I’m sure I would have joined these groups sooner. My passion right now is the Art Quilt. I enjoy everything from visualizing the design, to controlling the color and pattern of the fabric, to the tiny embellishments that finish it. When I create my Fiber Art quilts, or postcards, I work in my studio to have access to as many materials and pieces of equipment as possible.

What do you have in the room?

A Bernina 185E is my primary sewing machine. It replaced a Kenmore that I loved — a gift from my husband on our first anniversary.  He knew even then, some of my favorite gifts involve sewing and craft items.  I still have that machine but after being dropped by a repairman it has never worked quite the same.  For our 25th anniversary my sweetie gave me a Bernina.  I know most women want jewels but to me a new sewing machine was much better than jewelry.

My cutting table is two back-to-back IKEA cabinets with a covered board on the top. These cabinets hold plain white and black fabric which I hand dye, bleach or print. I also store tools for making rubbings, prints or sun dyeing fabric, specialty fabrics I use with my embellisher, interfacing, Misty fuse, peltex and some specialty papers for mixed media projects.

I have cabinets tucked in here and there in places that are most useful such as near my sewing machine, cutting table, by — and even under — my longarm.

Wall shelves hold paints, inks, paint sticks, metal pieces, adhesives and related items. The old wooden cabinet (from my childhood home) houses beads and other embellishment items.

I have two design spaces for visualizing and piecing together ideas for new projects.  The small portable one above my Bernina has a butterfly quilt on it right now. A larger flannel-backed tablecloth — secured by an IKEA hanging system — works for larger designs.  I have a quilt designed by Nancy Rink hanging there now. I’m considering how to quilt it.

Last year I hung 3M Command hooks in strategic spots to keep small tools handy. No more digging through drawers for them!

I have bookshelves for books, some of my class notebooks, finished quilt tops and my button collection.  I have the most recent postcard art I’ve received on display for inspiration — the remainder are in my postcard box so they are portable to take out to share with others.

Most of my fabric is in the fabric boxes on the shelves under my inspiration board and thimble collection.  I try not to keep too much fabric on hand.  Most of the time, I buy small amounts of fabrics.  It is all I normally need for an Art Quilt.  When I make a larger quilt, I usually buy only what I need, all at once.

Two units are devoted to my longarm: a bookshelf houses supplies, rulers, bobbins,and tools and thread is in the drawers of a small cabinet with the bobbin winder on top.

My desktop computer is quite old but it works well with the embroidery feature on my sewing machine.  I can connect my sewing machine to my computer and download a pattern to embroider. I don’t use this a lot, but it’s fun!  I would need to update my Bernina in order to use it with my new computer, so I keep my dinosaur around.  There is always something to spend money on in the world of sewing and we have to pick and choose!

Do you have anything, supplies, more machines, etc. tucked away in any other rooms of the house?

I do have some of my messier supplies stored in the basement such as art supplies, dyeing supplies and polymer clay.  I also have a room upstairs with some scrapbooking supplies. Many of these materials have multiple functions. There are more class notebooks in a cupboard in the family room.

How much horizontal surface do you have, and is it ever enough?

I don’t think quilters can ever have enough horizontal surfaces.  For instance, the small cutting table on top of my IKEA cabinets works great for small projects but for large quilts I usually put a protective surface on the dining table or other large surface to work.

Do you have to move piles of stuff to cut anything bigger than a fat quarter? Do you straighten/organize as you go, putting each fabric away as you cut, or do you clean up after a project?                               

I answered this partially by admitting I move to another room to cut anything very large.  I tend to pile as I work and keep everything out for a project until the project is finished, then I might put it away before I start the next project.  Neatness, is not something I am known for in my family.

How many projects do you work on at once and how do you keep them organized?

I am usually working on 4 – 5 projects at once.  For instance, I made Art Postcards, simultaneously, for two separate groups recently.  I worked on both at once because they each had stages where they needed to dry for a day or two.  At the same time, I made the pattern for the quilt I am preparing for Minnesota Contemporary Quilters, gathered the supplies to make a quilt for SAQA and started the butterfly quilt which is a challenge project for Minnesota Quilters.

I need to keep moving throughout the day. Sitting in one position too long creates problems for my back and neck which I injured in a car accident or I experience swelling in my left leg and foot where I have lymphedema.  So, working on multiple projects helps to keep me moving.  It also creates more mess!

Anything more you want to add about your studio, organization, working methods, etc., please do.

I like to get together with my friends to share ideas and learn new techniques.  I also enjoy seeing how other people work and often adopt new techniques or organizational ideas for my own use.  However, when it is time to make a project, I prefer to work alone.  This helps me to focus on the task at hand and gives me some time to visualize new designs with a minimum of distractions.

Visit Janet’s blog

Next Month: Evie Harris

First Friday Studio Tour – Kay Laboda

This month Kay Laboda of San Diego, CA, answers my questions about her studio.

Do you call it a studio or sewing room?

Sometimes I just say “my room,” but I’ve been saying “my studio” more and more.  This is the space I love to be in more than any other room in the house.  It’s very roomy, but I keep thinking I really do need more room. It’s where I like to create whatever the next experiment or project I have in my head.  Sewing is only one of the things I do.  I also make coiled pine needle baskets, and I like to crochet and paint.  I love working on projects and usually have more than three or four projects going at the same time.  There is a very large window that overlooks my garden, and I love sitting at my machine and watching the hummingbirds eat at their feeder.  It’s a very relaxing room for me to be in.

Why do you think this is so?  Difference in starting point between quilting and art?  Thinking of this as a business rather than a hobby?

Sewing is really just part of the equation.  The overall project can be a combination of designing, planning it out, painting, and overall letting the project talk to you through the process.

My quilting has always been about art with me.  It’s an expression of my thoughts and feelings, so it’s an art.  The fabric and quilting is the medium.  It’s my art outlet and I love working with the fabrics.  I started quilting five years ago when I was going through breast cancer.  I wanted something new and exciting to learn to do.  I also had been given a prayer quilt and wanted to learn to make them so I could give to others going through a tough time. It’s been an adventure for the past five years and I am continuously learning new things and techniques.

This is my hobby.  My family and friends are always saying I should sell my quilts.  But when it’s a business it’s not fun anymore.  There are always deadlines, and maybe not quite so happy customers.  I’d rather just do it for me, for gifts, just for fun.

What do you have in the room?

I have my main friend, my “Baby Lock” sitting in front of a large window overlooking my garden.  She actually can do just about anything I need, but I do have a larger dedicated quilting machine next to her that I use for larger quilts.  Then I have a new/used serger that I recently found at a garage sale for $25, then had to spend $145.00 to have it repaired.  So much for deals huh?  Now I just need to use it.  My TV and ironing board are to the left of my Baby Lock, along with my wall of thread.  Then behind the iron I have my bookcase of quilting and other craft books.

My laptop is next to the bookcase, sitting on a desk piled high with “projects I want to do next.” If only I were a cat with nine lives.

Then going on around to the left is my “stash.”  At the top of my stash bookcase is my favorite teddy bear I got for Christmas 50 years ago.  For some reason known only to that little girl at the time, I named him “Mouth.”  I’m still trying to figure that one out.

My small design wall is to the right of this which usually will have something up on it, even if it’s orphan blocks hoping to have some friends one day.  On around the corner still traveling counter-clock-wise is my closet which houses my bins of much loved scraps separated by color.  Next to the bins still in the closet is my much loved and traveled “Feather weight” friend.  I love that old machine.  The closet is also where I store some finished quilts and bolt of batting.

Around the next and final corner is another bookcase with a few of my giraffe friends, books listed on Amazon, and  bottom drawer of paints and dyes.  My main design wall is next to this.  In the middle of all this mayhem is my cutting and project table.  I designed and built it myself about four years ago.

How is your “stuff” organized?  How do you organize your fabric?

I mostly like to organize by color, in twelve large baskets, but also have a couple of bins of both asian fabric and seasonal fabrics. It works for me as I can pull out the bin of reds and see what I have, or the bin of blues, etc.  It helps keep them from fading and from the constant dust.  I do have groups of strips folded on the top shelf.  I love using them for borders and binding. I also have two plastic bins in the closets that I put all my scraps in by color.

How do you organize your thread (color, weight)?

I really try to keep it organized by color, and then I have my quilting threads on the two bottom rows by number.  I really like the Superior “King Tut” thread in variegated colors. Then I have a glass bowl of specialty threads looking pretty on top of the TV.

Do you have anything, supplies, more machines, etc. tucked away in any other rooms of the house?

I do have another larger ironing board in the laundry room which is just across the hallway from my studio. Much to my husband’s dislike, I now have my embroidery machine on a table in our bedroom.  I ran out of room in my studio and had to put it on a table in a corner of our bedroom.  I promised not to take over the bedroom with my projects.  I suggested that we switch our bedroom for my studio, but he drew the line on that one.

How much horizontal surface do you have, and is it ever enough?

My worktable is 42” x 60” with a cutting mat on top that is 39” x 59”.  When I need a little bit larger space ,I extend the drawers out and move the mat on top over to cover the drawers.  It helps when pinning a quilt together.  When that’s not big enough, I do go to the garage and put out my two folding tables together. The are four cabinets for storage underneath the work table.  There are a total of six drawers and two cabinets with shelves and I have ran out of space.  The top of my table is always covered with fabric, books, bills that I forgot to put in the pay file.  I think everyone has a table like this.

Do you have to move piles of stuff to cut anything bigger than a fat quarter?

I have to move things to even cut a fat quarter.  Then when I want to actually lay out a quilt  to layer I find all kinds of things that I was looking for the past month or more. The problem with any table I have is I start a pile of “the next project” I have raging through my head.  The Road to California is coming up in a couple of weeks and now I have to start my two piles for the classes I will be taking on Friday and Saturday.  Both classes are with Karen Eckmeir; “Happy Villages” and “Scrappy Layered Log Cabin”.

Do you straighten/organize as you go, putting each fabric away as you cut, or do you clean up after a project?

I try really hard to put fabric away as I am done with it, but that doesn’t always work out for me when I work on four projects at a time. I am pretty good about putting the scraps in the bins as I go.  But then I will look at my table and there will be piles of fabric sitting there.  Then I will stop and put things away.  Otherwise, it makes me crazy.

How many projects do you work on at once and how do you keep them organized?

I have three to four projects on the wall at any given time.  The larger projects go on the large area behind my table, and sometimes I can squeeze in something else to one side of it.  Then I have another smaller area on another wall and one that hangs on a board covering the closet.

I counted one time that I was working on ten different projects at one time.  Sometimes you just get stuck on something, or bored.  Right now I have a Christmas project that I didn’t finish in time that I’m still sewing on the binding.  I have a Block of the Month project that I’m about five months behind with.  Then there’s the prayer quilt that I still need to find a backing for.  Oh, and how about the postcards I need to finish up from two years ago.  It goes on and on.  But this past year I did finish up about ten projects that I had started.  This year I am resolved to finish up the other ones I have in the hopper.

Anything more you want to add about your studio, organization, working methods, etc., please do.

I love being able to see everyone’s studio/working space.  Sometimes I see something that might work for me and make a change and love it.  So thanks for visiting my room.  Hope you see something that inspires you.

Visit Kay’s Blog

Next month: Janet Hartje

Wordless Wednesday – Circles

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Wordless Wednesday – By the Numbers

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Wordless Wednesday

A bit of fire to keep us warm

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First Friday Studio Tour – Vivian Helena Aumond-Capone

This month we are visiting Vivian Helena Aumond-Capone in Coarsegold, California. Vivian said that answering the questions I posed was a fun way to review her studio and she hopes the result is an interesting read for you.  She says….

Coarsegold is located in the rolling hills near Yosemite National Park. They say above the fog and below the snow… most of the time. My husband and I live on 8+ acres — Boot Tree Ranch is the name of our place. The llamas are welcoming. Patches is the “baby” that was a surprise birth and a wonderful addition.

We have seven cats, four llamas and one dog.

I am a mixed-media fiber/quilt artist who loves to work with gourds and jewelry. We designed the house with the studio in mind so it is near the kitchen/great room with a Dutch door that allows me to close it off. There is a bathroom nearby and a space with a washer and dryer on either side of a deep sink – all necessary for fabric dyeing classes. I also have a covered area just outside the studio which is wonderful on those hot summer mornings when students gather.

Entry to my studio – yes, I call it a studio — is through the blue barn doors and then through a sliding glass door.

Welcome. I designed a sliding/movable design wall thinking it would travel easily to other areas of the house but its height makes that impractical.  I use both sides of the wall: one side has the projects I am working on, the other side has some of the jewelry that will go to the galleries. I typically work on multiple projects simultaneously. Right now there are four projects layered on the design wall.

I create both traditional and art quilts. I love working on a variety of projects and ideas. As a member of Timberline Gallery I am creating new work to hang every two months. Keeps me on my toes! January’s theme is Animal Totems.

My quilting area has the cutting table and an area for my sewing machine. I have two Pfaff, one Brother and a Singer Feather Weight that was my mothers. None of the machines are fancy.  Rolling storage units hold beads, fabric with iron-on backing, threads, pigma pens, bobbins, pins, extra cutting blades, scissors, and more. Electrical plugs are at desk height and in the ceiling.

The ironing board is on top of book cases.

I am known for my white binders and organization: I file each class I’ve taken in a labeled binder — most have samples and photographs. I also file interesting articles about teachers I’ve studied with, and magazine articles of particular interest by topic. There are notebooks with ideas, colors, designs, sketches. I often revisit the notebooks to flesh out ideas.

I organize in plastic containers by color, topic, or UFO. These are stacked behind the white doors. The boxes on top contain lighter items such as yarn, silk, zippers and other odds and ends.

We have two guest rooms that are often layered with my quilts. Here are some of the kite series I’m creating using Day of the Dead for inspiration.

The hallway does not have any direct light so I keep folded quilts in that area. When guests come to stay there is a bit of a scramble to put the quilts in other areas.

I work on gourds and jewelry in another area of the studio. I set one project aside, allowing paint to dry, and work on a second project. You can see the second paint table needs some cleaning up.

There are never enough horizontal surfaces, as hard as I try something hops up to clutter the area. I do have a strict rule about the dining room table — that usually is clear.But we don’t eat at it, just looks nice that way. The coffee table by the T.V. is fair game: books, magazines, quilting and knitting are all in piles. Thankfully, nothing fazes my husband. And yes, I have taken over most of the house. He has the garage for his toys.

Even my cutting table and ironing board have a tendency to collect anything that does not have a logical place. It happened when I started to collect rusty things and items that I could screen print. If anyone has a good idea how to store these, I would love to hear about it. I have lots of tubs on the floor.

I have even lost my rocking chair under items that are going into a dye bath. I try to clean up after every project, but…

My New Year goal is to complete some of the UFO’s. Maybe I should make another quilt with all the “starts” from the classes I have taken. The first time I did that the quilt landed in a quilting magazine.

English Paper Piecing samples and patterns take up another table. These will eventually end up on Etsy. My neighbor and I designed a quilt pattern for a class using English Paper Piecing, piecing, and applique. My reminder board is above my cutting table. It also has gifts from friends, and a muse designed by my friend, Julie Mitchell.

Another wall holds some of my smaller quilts from challenges with my YoYo Sewciety Circle and shows.

You can learn more about the associations I belong to and what I’m up to in my studio by popping by my blog.

Next Month: Kay Laboda

Wordless Wednesday – Snowflakes

Perhaps we’re tempting fate here.  A lot of folks are anxiously awaiting snow, while others of us would be happy not to see a single flake.  One of our Round 12 themes was snowflakes, so here are some fabric ones to enjoy.

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Studio Tour – Coming Friday

For those of you who got a link to a non-existent Studio Tour, we want reassure you that the tour of Vivian’s studio will be on the website Friday.  At some point the poster hit the “Publish” rather than “Save Draft” button, which led to all sorts of confusion.  Apologies to all, and we hope that you will check back on Friday for the tour.